Sicilian Haiku – Migrant Shadows, by Freddie Omm

This September, Sicilian Haiku – Migrant Shadows will be published by Mad Bear Books.

It’s the first part of a humanitarian project: all profits will go to migrant charities.

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A collection of poems, mostly haiku, that you can read separately or as one narrative, the book weaves through mythical and modern Sicily, with the timeless global theme of migrants at its heart.

Powerful and passionate, the book evokes the atmosphere and experience of modern Sicily, at the frontline of the unfolding tragedy of the migrancy crisis, and dives into the parallels with ancient mythology, more recent history and literature.

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The print book will be launched on 19 September, the ebook can already be pre-ordered now: Pre-order the ebook on Amazon here. For those interested in reviewing the book, interviewing Freddie Omm, or other enquiries, please contact publicist Ben Cameron on (+44) (0) 7903 951 957 for advance reading copies and scheduling.

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Exclusive NFTs (of the book and related artworks) will be marketed soon, in such a way as to give everyone the opportunity to own and participate in the project and to contribute to helping migrants.

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More about Sicilian Haiku – Migrant Shadows: Written mostly in haiku chains, its narrative shape is not unlike that of a novel, and it can be read like one. The poems fuse modern and mythological stories, probing a world of fractured selves, memes and monsters. A passionate call to action, the book probes our private and public odysseys, how we share and define ourselves, how we give value to our own lives, the lives of others, and our planet. Set in Sicily, it’s a mix of many stories—migrants meet tourists, junkies and cannibals, while gods and goddesses mate with mortals, and it’s hard to separate consumers from the consumed. Photographs of Sicily by Freddie Oomkens intersperse the text and visually highlight its themes.

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Sicilian Haiku – Migrant Shadows is the first in an extended series of multi-genre books, The Dark Gospel. The next–a thriller, The Trashman – will be published in 2025.

Hitler’s Hot Jazz Band (Transcreation II)

aaaaaHitler_06

Although the Nazis claimed Jazz was “Negermusik” – devised by Jews to undermine Aryan culture – they did have a Hot Jazz band of their own, called Charlie and his Orchestra.

It was part of the weirdest propaganda effort of the war, masterminded by Joseph Goebbels and aimed at subverting the morale of Allied civilians and invading troops.

aaaaahitler and goebbels dancing to hot jazz

Charlie and his Orchestra featured a crooner, Karl Schwedler, who’d lived in the USA before the war and could warble his way through the latest hits with a tolerable, if decidedly Teutonic, accent.

Hitler's Crooner, Karl Schwedler

Hitler’s Crooner, Karl Schwedler

More to the point, he could twist the original lyrics to give them pro-Nazi slants – transcreation avant la lettre (or rather, seiner Zeit voraus)…

So Cole Porter’s You’re the Top‘s lyrics, which started out like this:
You’re the top! You’re a Waldorf salad/You’re the top! You’re a Berlin ballad. /You’re the boats that glide /On the sleepy Zuider Zee, /You’re an old Dutch master…

would become:

You”re The Tops, You”re A German Flyer/You”re The Tops, You”re Machine Gun Fire/ You”re A U-boat Chap With a Lot Of Pep/ You”re Grand, You”re A German Blitz, The Paris Ritz…

Many of the lyrics are battier even than this, with ludicrously sinister insults about Jews (I’m fightin’ for democracy/I’m fightin’ for the Jew, from I’ve Got a Pocketful of Dreams)  and “Negroes”:

“A negro from the London Docks,” Schwedler raps over the intro to the St Louis Blues, “sings the Blackout Blues.” Schwedler goes on to sing: I hate to see the evenin’ sun go down – cos da Germans, dey don bomb dis town! and blames “Churchill’s bloody war” for making him “feel so sore.”

More than a quarter of the British civilian population is estimated to have listened to the German broadcasts which played these recordings. Churchill is said to have found them hilarious.

In any case, this pioneering example of transcreation is a cautionary tale – transcreation can be used for evil, as well as good objectives. And, even under the direction of a Kommunikationsgenie, a Strategiemeister like Goebbels, it’s a weapon which can backfire badly – if you go for the wrong, badly-devised strategy, and sing from the wrong song sheet…

 aaaaachurchill